Culture

31 July 2006, 17:58:49 (545 clicks)

HISTORY
Although there are no artifacts or records dating back to the Stone Age, it is believed that the first settlers on Bali migrated from China around 2500 B.C. By the Bronze era, around 300 B.C. quite an evolved culture existed on Bali. The complex system of irrigation and rice production, still in use today, was established around this time.

It appears that the main religion, around 500 A.D. was predominantly Buddhist in influence. A Chinese scholar, Yi-Tsing, in 670 A.D. reported, on a trip to India, that he had visited a Buddhist country called Bali.
It wasn't until the 11th century that Bali received the first strong influx of Hindu and Javanese cultures. With the death of his father around AD 1011, the Balinese Prince, Airlanggha, moved to East Java and set about uniting it under one principality. Having succeeded, he then appointed his brother, Anak Wungsu, as ruler of Bali. During the ensuing period there was a reciprocation of political and artistic ideas. The old Javanese language, Kawi, became the language used by the aristocracy, one of the many Javanese traits and customs adopted by the cause.
With the death of Airlanggha, in the middle of the 11th century, Bali enjoyed a period of autonomy. However, this proved to be short-lived, as in 1284 the East Javanese King Kertanegara, conquered Bali and ruled over it from Java. In 1292, Kertanegara was murdered and Bali took the opportunity to liberate itself once again. However, in 1343, Bali was brought back under Javanese control by its defeat at the hands of Gajah Mada, a general in the last of the great Hindu-Javanese empires, the Majapahit. With the spread of Islam throughout Sumatra and Java during the 16th century, the Majapahit empire began to collapse and a large exodus of aristocracy, priests, artists and artisans to Bali ensued. For a while Bali flourished and the following centuries were considered the Golden Age of Bali's cultural history. The principality of Gelgel, near Klungkung, became a major centre for the Arts, and Bali became the major power of the region, taking control of neighbouring Lombok and parts of East Java.

The European Influence

The first Dutch seamen set foot on Bali in 1597, yet it wasn't until the 1800's that the Dutch showed an interest in colonizing the island. In 1846, having had large areas of Indonesia under their control since the 1700's, the Dutch government sent troops into northern Bali. In 1894, Dutch forces sided with the Sasak people of Lombok to defeat their Balinese rulers. By 1911, all the Balinese principalities had either been defeated in battle, or had capitulated, leaving the whole island under Dutch control. During World War II, the Dutch were expelled by the Japanese, who had occupied Indonesia from 1942 to 1945.
After the Japanese defeat, the Dutch tried to regain control of their former colonies, but on August 17, 1945, Indonesia was declared independent by its first President, Sukarno. After four years of fighting and strong criticism from the international community, the Dutch government finally ceded and, in 1949, Indonesia was recognized as an independent country.

THE PEOPLE

Life in Bali is very communal with the organization of villages, farming and even the creative arts being decided by the community. The local government is responsible for schools, clinics, hospitals and roads, but all other aspects of life are placed in the hands of two traditional committees, whose roots in Balinese culture stretch back centuries. The first, Subak, concerns the production of rice and organizes the complex irrigation system. Everyone who owns a sawah, or padi field, must join their local Subak, which then ensures that every member gets his fair distribution of irrigation water. The other community organization is the Banjar, which arranges all village festivals, marriage ceremonies and cremations. Most villages have at least one Banjar and all males have to join one when they marry. Banjars, on average, have a membership of between 50 to 100 families and each Banjar has its own meeting place called the Bale Banjar. As well as being used for regular meetings, the Bale (pavilion) is where the local gamelan orchestras and drama groups practice.

RELIGION

The Balinese are Hindu yet their religion is very different from that of the Indian variety. The Balinese worship the Hindu trinity Brahma, Shiva and Vishnu, who are seen as manifestations of the Supreme God Sanghyang Widhi. Other Indian gods like Ganesha (the elephant-headed god) also appear, but more commonly, one will see shrines to the many gods and spirits that are uniquely Balinese. Balinese believe strongly in magic and the power of spirits, and much of their religion is based upon this. They believe that good spirits dwell in the mountains and that the seas are home to demons and ogres. Most villages have at least three main temples, namely: (1) the Pura Puseh, or 'temple of origin', facing the mountains; (2) the Pura Desa, or village temple normally found in the centre; and (3) the Pura Dalem, aligned with the sea and dedicated to the spirits of the dead. Aside from these 'village temples', almost every house has its own shrine. Some temples, for example, Pura Besakih on the slopes of Mount Agung, are considered especially important and people from all over Bali travel there to worship.

Offerings play a significant role in Balinese life as they appease the spirits and thus bring prosperity and good health to the family. Every day small offering trays (canang sari) containing symbolic food, flowers, cigarettes and money, are placed on shrines, in temples, outside houses and shops, and even at dangerous crossroads.

Festivals are another great occasion for appeasing the gods. The women bear huge, beautifully arranged, pyramids of food, fruit and flowers on their heads while the men might conduct a blood sacrifice through a cockfight. There are traditional dances and music and the gods are invited to come down to join in the festivities. The festivals are usually very exciting occasions and, if you are in the are, well worth observing. Please refer to the back page ('A Word of Advice') for Rules.

DANCE AND DRAMA

Dance and drama have historically played an important role in Balinese society. Through this medium, people learned about the tales of the Ramayana, Mahabarata and other epic stories from Balinese history. The following are brief descriptions of some of the more well-known dance-dramas that can be seen at regular performances, throughout Bali.

Baris
This is a warrior's dance. It is usually performed by men, either solo or in a group of five or more.

Barong & Rangda
This is basically a story about the struggle between good and evil. Good is personified by the Barong Keket, a strange and fun-loving creature in the shape of a shaggy semi-lion. Evil is represented by Rangda, a witch.

Kecak
The most famous of the Balinese dances, the Kecak, originated from the Sanghyang dance choirs, who chant a distinctive 'kechak-kechak' accompaniment. The Kecak as a dance developed in the 1930's in the village of Bona, where it is still performed regularly.

Legong
This dance tells the story of Princess Rangkesari who is held captive against her will by King Lakesmi. Rangkesari's brother, Prince Daha, gathers an army together to rescue his sister. The Legong is a very classical and graceful dance, always performed by prepubescent girls, who often are as young as eight or nine years old.

Sanghyang Trance Dances
The Sanghyang Dedari is performed by two girls and is very similar in style to the Legong. The main difference is that the girls are supposedly untrained and can keep in perfect time with each other, even though their eyes are firmly shut. In the Sanghyang Jaran, a boy dances around and through a fire, riding a coconut palm hobbyhorse. This is frequently called the 'Fire Dance'. In both dances, a priest is always on hand to help bring the dancers out of their state of trance at the end of the performance.

Wayang Kulit (Shadow Puppet)
Wayang Kulit is one of the great story-telling traditions of the Javanese and Balinese. The Wayang show normally consists of a small 4-piece orchestra, which provides the musical accompaniment, around 60 'puppets' carved out of flat pieces of water buffalo hide and the Dalang, or Puppet-master. Good characters normally speak in ancient 'Kawi' whereas evil or coarse characters speak Balinese.

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